cipheramnesia:

Lakes and graveyards are very similar in that if you detonate a large explosion inside either one a lot of dead bodies come to the surface.

geekandmisandry:

Hi, um. How is being the necromancer’s apprentice going for you OP?

cipheramnesia:

You want I should raise dead, I raise dead, no problem. You want banish dead, no problem, have plenty more nitro. I do this, ten minutes.

dee-the-red-witch:

CHUNKY STEW IS NOT BANISHMENT.

amnesia:

Chunky stew, very bad necromancer. We banish, no problem, no chunks. I give you number of cousin Yvgeny. Will power wash house, very good prices. No other necromancer does this for you.

geekandmisandry:

Is….is…is Yvgeny….alive?

cipheramnesia:

Eh. Is alive enough.

the-real-seebs:

i somehow had heard “no other necromancer does this for you” without picking up the whole context, so i went searching. i am not disappointed.


Tags:

#that one post with the thing #storytime #I didn’t actually laugh aloud but it still amused me enough to reblog #death tw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

stitchthisfiona:

Today in niche genres of joke that I can never get enough of and will probably still be secretly thinking about four years later

c1c4cdf4ee6d6ef5a5a4eb878caefb28cd16c596
d22cce2fa9b5c1612c0d4c1791f30ea141392651
15a65fd6f65d77b26cb3c3a970cb960847122ad2
ec34ec7fa67b645d20c83a8b080c4d14e57b4006
6bf7ce6d762669493869611e4734c6fe5d2a327e

cleolinda:

82dc25c15dd779ff3775605b9dbfc69d81114bde-1

cleolinda:

ef27f5919e6bd352b2acdc8aa4b814c9f316294c

lotus0kid:

d7fb9abae18dcb96cb0b5bdc47720a5e4e495b52

lotus0kid:

4b22b98d8c6f0783990268ed481cd3f657132003

pomme-poire-peche:

3e169adcb7c405ca939808fce502546f77d14b97

lotus0kid:

661bba9a80a6768b148641ecc85c17e9ddee347d

sashaforthewin:

4719fb5595ce4ff55c86a04e113824780c7f66f8
7b33a8d7447ff58a0a752eaecb1b63c4cc9b159a
8ca6f213ebb113d645ccc01939f15852a711a6d6
4c6ed24ab4b4a49b83cead69282c469bc8e1f60a
4dbca55f033b7653b40a709a04c7c5362e0a690d
99098c4538d0778e462698818c68326f4c0be1c6
db6c4fa6ac5a9fe827a48a538365b2bdc9f75be4

jack-of-no-cows:

3d48372f2d77150358e5164694d53026c44801f2

ghirahimbo:

d6ea948a9888fd4fb94cc79be78136bc6dbfad86

Tags:

#that one post with the thing #music #juxtaposition #long post #death tw? #this probably deserves some other warning tag but I am not sure what #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

foone:

foone:

foone:

foone:

Fantasy setting where the kingdom has a secret police with the mission of finding any modern-world people isekai’d in so they can be whisked off to the academy and all their future knowledge transcribed

It’s a known thing that isekai events happen. All the major nations do this. The coming war may very well be tilted in favor of whichever kingdom gets the most Japanese teenagers appearing within their borders

They are worried that the flow of isekai protagonists is slowing down, what with increased traffic safety measures.

So they hire a evil wizard to send a minion into our world, with only one goal: increase the number of automobile accidents, and keep their isekai harvests bountiful.

The minion can’t return, of course. Travel is one way, unless you isekai back, and that’s a one in a million chance.

So the poor fish out of water minion stuck in our world can never return. At least they gave him plenty of precious gemstones with which to start his car-accident empire. So don’t worry, squire Musk will not starve in our world.

The real problem is that they mainly get teenagers and thus they’re pretty limited in what info they can get from them. Sure, their basic physics and mathematics have been advanced beyond their neighbors, but they’ve also got pages and pages of handwritten illuminated texts about an illustrated motion play called “The single part” and many music sheets filled with the works of some “Quick Seamstress” who lives in a distant nation across the sea in the far future.

Still, they persevere. A single trainspotter with a special interest in steam trains revolutionized the transportation infrastructure in their nation, they only need one kid who memorized the history of firearms or metallurgy to win this coming war. They’ll write down a thousand books of the exploits of Marius the lead-worker and his eternal struggle against a dragon-turtle if it gets them just one teenager who can tell them how to make this “steel” they’ve heard so much about.


Tags:

#story ideas I will never write #(…or‚ at least‚ won’t write *precisely* like this) #death tw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

writing-prompt-s:

There is a forbidden type of magic out there. It isn’t forbidden because it’s inherently evil, or forces you to lose your humanity, or requires human sacrifices – it’s just forbidden because it’s annoying as heck to fight against.

hestia-and-the-court:

“Ma’am, I really must insist that you pay for the room and board I’ve been giving you! It’s been a week!”“Fine, fine,” I grumble. “I have a few options for payment: I could give you paper money, cheap gaudy jewelry, chocolate coins, spiders, some pretty seashells-”

“Spiders????” he repeats, baffled.

“Spiders it is, then,” I agree equitably, and with a wave of my hand the bed I’ve been sleeping in for the last week turns into a writhing mass of various spiders.

Worth it.

“Stop right there! You’re under arrest for fraud, destruction of property, and-!”

I yawn. “Didn’t ask, don’t care.” A few gestures, and the guards’ swords are all transmuted into spiders, and then they’re too busy to worry about little ol’ me.

“You have insulted my honor and humiliated me in front of my children! I demand satisfaction! I demand a wizard’s duel!”

Shrugging, I say, “Sure, okay, whatever. Right here and now okay?”

The pompous wizard-noble blinks. “I- you don’t want to prepare? Get your wizard’s staff or anything?”

“Nah, I’m pretty good with somatic gestures.”

“Well, if you’re sure… here and now then! Have at you!” He slams his staff down on the ground dramatically, a small shockwave of fire radiating out from the impact.

So of course, I turn his staff into spiders.

“AHHHH WHAT THE FUCK WHAT THE FUCK”

“So if you’re too busy screaming to cast spells, does that mean I win?”

“AUGH ONE OF THEM BIT ME”

“I’m taking that as a yes.”

After that, they start coming at me in waves, with cheap wands and staves and swords and bows bought in bulk, hoping to exhaust my magical reserves so they can get close enough to put a magic inhibitor on me.

They did not expect my reserves to be as vast as they were, not did they expect me to be able to transmute the inhibitors themselves into spiders.

“Didn’t you take Magic Basics in wizard college?” I yell at the panicking mages. “Inhibitors aren’t immune to magic until the moment they activate! Serious weak point in the design, tell your magitechnicians to fix that!”

So of course they try assassins next.

Poison fails, because I transmute any food and drink I get into spiders and then transmute them back. Pretty easy way to get rid of poison.

So then they try knives in dark alleys. The knives bruise through my full-body spider-silk outfit, but do not penetrate, and they only get one shot before they have bigger problems.

Next is killing me in my sleep. None live to report back that the human-shaped lump under the blankets is actually a mass of highly venomous spiders.

The kingdom throws everything it has at me, and I continue to walk away, heralded by the chittering of spiders and the screams of everyone else.

Finally, I stand before the king himself in his overly opulent throne room, and by now he is a broken shell of a man in the face of my unorthodox tactics.

Good.

“What do you want?” he practically sobs. “You’ve singlehandedly redirected the entire crown’s budget for the next three years into replacing every weapon you’ve turned into spiders. Much more and we’ll be invaded by our neighbors! We wouldn’t be able to resist being annexed! So what can I give you to make you stop doing this?!”

I pause and pretend to consider, tapping a finger against my chin thoughtfully. “You know, you sent my brother off to war a few years back. That conflict with the Yughs up north, I believe. He didn’t want to go, so your guards forced him at spearpoint. I haven’t seen him since.”

He seizes on that, as I expected. “Yes, yes, I’ll have him returned right away! Tell me his name and I’ll honorably release him from duty and have him escorted safely home!”

“Oh?” I raise one sardonic eyebrow. “Are you able to bring back the dead now, oh wise and glorious king?”

He pales, and it’s the most satisfying thing I’ve seen in years.

“You have nothing I want,” I growl, letting the anger slip through for the first time in years. “You cannot bring him back, you cannot make up for my loss with all the riches in your kingdom. The only thing I want is to take everything from you, the way you did to me. Your kingdom will bleed out of resources, one of the neighboring countries you’ve been trying to conquer for decades now will take advantage and annex this place, and you will either be executed or forced to work for a living for the first time in your life.”

I glare at him, and he refuses to meet my eyes. “You will lose everything you ever cared about in your life. One spider at a time.”

I transmute his throne and crown into spiders (non-deadly; he doesn’t get to escape my wrath that easily), then turn and walk away, ignoring his screams and sobs.

And that’s why, when the Yughs finally annexed the kingdom I grew up in, they preemptively made Transarachnomancy a forbidden magical art. Not sure how they intend to enforce that, mind, but I’m not looking to challenge that. I’ve gotten what I wanted; if some other aspiring mage wants to try and follow in my footsteps, that’s not my problem.

Besides, in terms of magical skill, I’ve always been an outlier anyway. Most mages would be lucky to turn just one knife into a spider at a time; I can turn ten thousand with a few gestures. I doubt anyone will outdo my legacy.

But hey, if you want to try and surpass Georgia of the Spiders? Feel free. I’ll welcome the competition.

werechicken:

IM

sniperct:

bb7018fb4bcd9002aa0dde5c6aaa2b4473c699c9

anagramofbrat:

Amazing A+ no notes


Tags:

#that moment of dawning comprehension at ”I’ve always been an outlier anyway” #storytime #spiders #anything that makes me laugh this much deserves a reblog #Spiders Georg #murder cw? #death tw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

foone:

Anomalous Item #4742: A set of 173 VHS tapes with blank labels.

When a tape label is filled out (there are provided fields for title, director, and year) and then placed into any functioning VCR, the film listed will play, regardless of if it existed before the tape was played.

This was first believed to be an effect limited to the tapes, ie, the tapes were somehow generating the movie themselves through some method similar to AI art generation, but after initial tests were performed the paratime division discovered the effect is actually antichronological: when played, the tapes don’t simply create the movie named, they alter the past so that the movie mentioned was created.

Thus, after a tape is labeled and played, it can be found on streaming services and in DVD rental stores. The directors, if still alive, will recall making the film, and actors who were active at the time the film was “made” will have anecdotes about events that happened in the film.

This can have ripple effects as well; during the 9th test, the film Big Trouble in Little China, 1986, directed by John Carpenter, was created. Besides the immediate effects of creating a new film that hadn’t existed, an indirect effect was that the film Alien 2, 1985, John Carpenter, ceased to exist. Instead, the sequel to the 1979 film Alien (directed by Ridley Scott)was titled Aliens and directed by James Cameron. It’s believed that by adding a new movie to the timeline of John Carpenter’s direction, he no longer had time to direct one of the works he had directed in the original timeline, as he would have been busy directing the newly-added film, and directing roles therefore passed to another director.

Use of the tapes can also implicitly affect the lifespan of directors. In test #17, Researcher J. Calhoun attempted to generate a film that couldn’t possibly exist: a prequel to a film made by a director who had died decades beforehand.

According to paratime research, the writing of “Star Wars: Episode 1, 1999, George Lucas” on the tape and the subsequent viewing undid the 1981 death of Mr. Lucas, causing Star Wars: Episode 6: Revenge of the Jedi to come out in 1983 instead of 1985, be titled “Return of the Jedi” instead, and it would be directed by George Lucas instead of Steven Spielberg.

This obviously had additional effects as it didn’t merely extend the lifespan of George Lucas by an additional 18 years: at time of writing in 2022, he is still alive at the age of 78. It’s therefore believed that the object doesn’t unnaturally extend the lifespan of the director, it instead reshapes the flow of time so that any events that would stop them from filming the listed movie do not happen.

After discovery of their history altering nature, the remaining anomalous objects have been locked in secure storage at site #22. No further testing is authorized, and emergency use requires level #6 authorization, which will only be granted in the face of imminent disaster requiring paratime remedies.

Article update[2022-11-20]: an incident occurred where it was discovered that former researcher K. Synnol had acquired one of the tapes (see investigation document 2483 for details) and was attempting to use it for history modification, without approval. The paratime division detected the impending history alteration and an assault team was dispatched. Synnol was apprehended before they could complete the use of the tape, however the label WAS filled out but the tape remained unwatched. What effects, if any, the partial use of the anomalous artifact would have on the timeline is unknown, but in previous testing the film only came into being when the labeled tape was placed into a VCR and watched.

See photo attachment #2, below, for artifact 1B, recovered after the Synnol event.

e323abe9ddc04f79b1758a750c2248422621b758

Tags:

#Goncharov #storytime #unreality cw #amnesia cw? #death tw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

{{previous post in sequence}}


rustingbridges:

a few years back zinc acetate lozenges were doing the rounds and I love a good superstition so I went ahead and incorporated that into my belief system. been a while so I thought I’d check to see if the state of the science on the subject had shifted since then

afaict there hasn’t been much work on the subject in the intervening time, and nothing much to change your mind one way or the other. good work everyone, you may return to your superstition behavior.

some details:

  • one study¹ recently reported a null result, but based on the going theory for zinc lozenges that’s what you would expect (zinc acetate was administered by capsules). also the study was lacking in other ways.
  • another² has a good looking graph and is maybe positive for the concept. haven’t read the fully study yet

that’s maybe about it? my method for researching this research was to search pubmed for “(zinc) AND ((acetate) OR (gluconate)) lozenge” plus some other words instead of lozenge, as there were too many results without an additional keyword for filtering. I am sure there are other places results are published besides pubmed. feel free to catapult relevant studies into my inbox

robustcornhusk:

a graph of cold duration in people treated with zinc lozenges vs placebo. notably, the longest colds in the placebo group were 19 days, versus "only" 12 days in the lozenge group.

i assume this is the promising-looking graph in question

you know, i don’t love the idea that colds get dragged out that long. 19 days? some poor assholes get colds for 19 days?

rustingbridges:

yeah that sounds fucked up! had no idea that was the case for some people, I always thought of a cold as a 1-3 day kind of thing. but presumably if someone gets 20 day colds they’re probably very glad to cut a week off that

brin-bellway:

The third week of a cold sucks a lot less than the first week so, like, maybe only as much as a normal person’s cold, but yeah if there’s a pill for cutting that third week off, I’m interested regardless of whether it helps with the main brunt of the cold. Gonna have to look into this.

rustingbridges:

the basic tenets of the going theory are this:

  • you want zinc acetate, or if that’s not available, zinc gluconate. it has to be a lozenge or otherwise dissolve in your mouth, since the theoretical method of action is coating some tissue or receptor or something with ionic zinc. preferably with as few additives as possible. if it doesn’t taste bad and feel astringent, it’s not working. in the US everyone buys the life extension ones. idk about elsewhere
  • it is ideal to start as soon as possible. preferably in the not-sure-if-im-actually-sick-yet phase. starting once the infection is well developed seems to be much less effective
  • tbh I will actually take one prophylactically if I feel like I was in a high exposure environment. this is a not the protocol the research was done on but it seems reasonable and as long I don’t do this every day it is at worst a bad tasting zinc supplement
  • iirc the studies mostly had a protocol along the lines of one lozenge (of varying size and type?) every 1.5-2 hours while awake until symptoms subside. that’s a lot. it seems to produce some effect in the studies. I do not know that anyone has done any real study on taking more or less to compare, so it’s unclear what the optimal amount is, or how long it is worthwhile to persist in taking them

brin-bellway:

…well, I tried a Life Extension zinc-acetate lozenge (not to be confused with a Life Extension zinc-oxide/gluconate + citric acid lozenge, which I previously got by accident and which are much wimpier), and, uh, that was kind of scary.

I *didn’t even get a full dose*! I ended up running out of time before bed and having to spit two-thirds of it out! And it *still* took about *17 hours* for my sense of taste to stop being blunted!

(my sense of smell still worked, FTR, so I’m *probably* not just leaving a proverbial bad Yankee Candle review)

…I’ll *consider* giving it one more try the next time I’m *confident* I’m sick, but I cannot do this at-first-sign-of-illness when my first-sign-of-illness has a 99%+ false-positive rate.

rustingbridges:

yeah that sounds like a bad reaction, don’t think I’d bother with that either

from a single lozenge I do notice astringency but the effects on taste are minor. I hardly notice them, I don’t mind them much when I do, and they last at most a few hours if that

brighterflowers:

oh yeah my dad always made e take these when I was a kid and they messed up my sense of taste for days, I’d always rather have just had the cold

… and child-me would still get, like, 2-3 week colds! I think bc I usually wasn’t allowed to stay home if I was sick

keynes-fetlife-mutual:

For me, TheraZinc lozenges pretty consistently stop colds if I start using them as soon as I notice a sore throat (haven’t tried Life Extension, have tried Cold-Eeze and they were bullshit.) they do indeed fuck up my sense of taste for days, and that’s a decent tradeoff for me because my colds have a tendency to turn into bronchitis. but it’s hard for me to voluntarily inflict that much unpleasantness on myself >_< so sometimes I don’t.

Yeah, the “as soon as I notice a sore throat” aspect is probably the main hurdle here. This could maybe have been a very valuable antidepressant for, like, 2015!me, but these days…well, these were some of my tags on that recent reblog:

#P.S. I started wondering whether my health-log data supported my 99%+ estimate, #so I did some ctrl-F and wow‚ I have non-contagious sore throats *even more* often than I thought, #I had a noticeable amount of non-contagious throat soreness on *86 days* out of 2023-so-far, #plus one contagious sore throat spanning two days‚ slightly under 24 hours total (before moving on to different cold symptoms), #but bear in mind that in the period 2020 – 2022 inclusive‚ *every* sore throat was non-contagious, #so yeah‚ lately I *have* had >100 sore throats that don’t lead anywhere for each one that develops into a cold

(the current ratio is *mostly* because I have other forms of throat irritation way more often now, but partly because I have fewer colds thanks to more other layers in my security I’m literally writing this while wearing a P100 because my sick housemate was recently puttering about in our kitchen completely bare-faced like an asshole)

I have a really hard time doing QALY analyses on myself because my brain’s response to being queried on how much lifespan it would give up in exchange for not experiencing X suffering is “we do not negotiate with terrorists”, but ‘hypogeusia is more than 1% as bad as severe depression’ seems like a very plausible statement to me.


Tags:

#reply via reblog #the power of science #is the blue I see the same as the blue you see #illness tw #death tw? #venting cw? #he *has* at least been refraining from hanging out in the living room or in our parents’ room #and *sometimes* he wears a KF94 (unsealed‚ but he might not *know* how to seal a mask around facial hair) when he’s fetching food/water #I don’t know why he’s landed on ”sometimes” and I don’t dare ask

andaisq:

prokopetz:

prokopetz:

Evil wizard seeks immortality, mis-scribes critical rune, ends up with indestructible enchanted vessel into which their soup will be transferred in the event of their death.

Important addenda:

  1. The evil wizard does not know this error has occurred.
  2. Owing to their rulership of their Evil Wizard Empire, and the peculiar laws thereof, the evil wizard technically owns rather a lot of soup.
  3. Whatever enterprising hero eventually manages to kill the evil wizard will have exactly one minute to figure this out.

Phylactureen.


Tags:

#overly literal interpretations #story ideas I will never write #death tw? #food mention #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

kailthia:

amberautumnfaebrooke:

i think i could design a better death arena for children than those hunger games amateurs.

the whole premise of the games is all pageantry. every year you get a crop of 24 candidates around whom the entire state media apparatus dedicates an entire year to building celebrity narratives. this candidate is the younger sibling of last year’s winner – these candidates are young lovers forced to compete – he’s smart – she’s fast – root for them, care about them, watch them, form opinions on them, bet on them. and then they stick them all in an arena to kill each other, which is a great entertainment premise, except that they make the arenas themselves really boring and generic. ooo, they’re in…a forest.

it’s not even an interestingly designed forest. imagine if the game designers treated their arena like an actual video game designer treats level design. discrete zones with multiple paths between each room, creative use of lighting to guide players to points of interest, points of interest scattered across the map, discoverable resources hidden to encourage exploration. instead they just have a generic outdoors location and if you get too close to the edge they throw a random fireball at you.

the 75th games are especially bad about this. the arena is laid out radially into 12 wedges, and each hour one wedge becomes especially dangerous in a 12-hour loop. as a mechanic, this is genius. it forces everyone to keep moving, making “survival by hiding” an engaging and tense viewing experience instead of someone sitting in a tree for three days. plus, it encourages players to return to the center of the arena, where travel time between wedges is short, which creates a high-value zone for players to regularly return to and conflict over. in other words, it’s a mechanic which incentives players to adopt dramatic, dynamic, exciting behaviors which are entertaining to watch (not to mention it communicates geography to the audience well). but it only incentives those behaviors if the players understand what’s happening, and they go out of their way not to tell the players anything! when they figure out what’s going on, the showrunners spin the arena to disorient the players, like they’re intentionally trying to get them to just. randomly wander the jungle instead.

this isn’t even to mention how often they create undramatic, boring deaths. they plant poison berries around the arena. they supply no fresh water and no way to get it. they roll poison clouds over sleeping victims. these happen to work out in the books themselves but you have to imagine that extremely often these just result in players dying unexciting deaths.

the cardinal sin though, of course, is that nothing is done to personalize the arena for the crop of contestants that year. if i’m designing the 75th hunger games and two of my most beloved contestants famously had to cancel their wedding because of a return to the games, i would OBVIOUSLY give them a trail of, i don’t know, wild game which conveniently leads directly past a well defended wedding chapel. will they hole up there for a while? hold a mock ceremony for themselves? do or receive ironic violence here? stare wistfully and move on? any of it is better television than getting attacked by generic attack monkeys. you should have a dozen of these things on the map for every single candidate. but the game makers are more interested in doing the same thing every other game has done than in telling a compelling story.

it makes me second guess enjoying the children’s murder arenas at all.

I mean, if you’re going to orchestrate an annual media stunt to keep people pacified, then you should put more effort into it to, you know, keep people involved.


Tags:

#Hunger Games #meta #death tw? #murder cw? #this probably deserves some other warning tag but I am not sure what #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

sigmaleph:

suing tumblr for excluding common crawl from their robots.txt because my best chance at immortality is being digitally reconstructed based on this blog


Tags:

#I didn’t actually laugh aloud but it still amused me enough to reblog #(fortunately it remains possible to host copies of one’s blog somewhere crawlable) #(if you want digital immortality you gotta do it yourself) #101 Uses for Infrastructureless Computers #disappointed permanent resident of The Future #death tw? #amnesia cw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

britcision:

writing-prompt-s:

Since birth you could see a counter above people’s heads. It doesn’t count down to their death. It goes up and down randomly. You’re desperate to find out what it means.

You learn that other people can’t see the counter when you’re around five, and ask your mother what it means because hers just dropped suddenly to three and you don’t know why.

She looks confused, the number slowly ticking up and down, and asks what game you’re playing. She seems distracted, and now you’re confused too, because you’ve been telling people their numbers for years.

You can’t see your own, not even in a mirror, and the fact that everyone gave you different answers wasn’t all that odd since you couldn’t see a pattern in how their numbers changed.

It does explain why you sometimes got answers in the millions though, when you never saw anyone else with a number higher than a few hundred. And here you’d thought you were special.

You’re more circumspect when asking if other people see them after that year, because while your mom was nice, the kids on the playground weren’t. You had to pretend it was a game, and they were stupid for not playing along.

You reach your teen years, get really into all those romantic ideas about a countdown to death, and it makes you scared of watching the counters drop for a few years.

But you comfort yourself that it’s clearly not a countdown, every time a friend hits one, or zero. It goes up and down, by jumps and starts, and seems so random.

Of course you become obsessed with math. You watch your one friend, a girl with yellow hair whose number jumps more and faster than anyone you’ve ever met. You track the numbers, log them for days and weeks, and try to find an equation to explain them.

There’s nothing, of course. Even when you think you see a pattern, it breaks in a matter of hours.

You look for the slowest changer instead, factor in the time between switches, and it’s still no good. You’re an irredeemable nerd now, but you need to know.

You get yourself a scholarship, pursue calculus and theoretical math, and your fellow students are almost as passionate as you. But none of them can see the numbers, none of them have the mystery you’ve never solved.

The scholarship doesn’t fully cover the cost of textbooks, so you take a job as a barista nearby. That’s interesting, because you see so many people all at once and can do more little studies of the numbers.

The answer definitely isn’t “time since last meal”, or “last cup of coffee”.

The presence of such a large and diverse sample lets you spot new things you hadn’t considered before too; you always knew most peoples’ counters changed at different speeds, but you’ve never seen anyone consistent before.

There’s a kid with green hair and piercings all up both ears and brows, and their number is never lower than twenty. They’re never rude, but they’re loud in spite of themselves, and you find yourself liking to see them.

A control for your experiments, a regular and reliable face.

There’s an old man who sits in the back whose number never changes and who never speaks. He hands you a napkin with a coffee order every time, and some of your coworkers are scared touching the napkins will make you sick.

You aren’t. The old man might be homeless or might not be; none of you actually know. He sits bundled in coats all through the summer, always has the same red scarf, always has the same seven sat above his head.

You’ve never seen him sat or napping in the street, but he’s never pulled out a key and you haven’t followed him to see if he goes to a home.

Whether he’s unhoused or not, you’re not about to treat him like a plague rat. He’s just quiet, and for all you know he’s fully mute.

You talk slowly and clearly back, making sure your mouth is easy to follow because you can’t be sure he can hear you in the first place. He watches your lips instead of your eyes, never replies, but always pays in exact change, and then puts the exact same tip in the jar.

One day, on a whim, you join a sign language club at university. It takes some practice to get the signs down, and you have to ask for some specific phrases, but a week later you try wishing him a good day in ASL.

His eyes light up, a tremulous smile half hidden in the scarf. He doesn’t sign back, but you know the secret now. He just doesn’t have much to say, but he was happy you made the effort.

His number is eight now.

You wondered if it might have been changing all along and you just didn’t notice, but it doesn’t go back down. Or up any further.

You have the strongest feeling you are that number eight, but you can’t prove it. It didn’t change while you were watching, or while he was in the store.

You take statistics class, get permission from your manager to run out a few projects at work. Things like two tip jars, each with a different sign and a note behind them explaining the project.

That gets much more results than a single tip jar, as you expected, people are firm in their opinions and pick sides quickly.

The other baristas insist on keeping the two jar method even once you’ve gotten an A on your findings. They’re for competing sports teams on game days, music genres over the summer when the concerts come through, silly things like “cake or pie” when nothing more serious is going on.

There’s no correlation between the counters and how much people donate, or which side they choose.

You don’t realize that other people don’t have your memory for numbers and faces until you comment that your dear regular always donates to the jar on the left. Your coworker looks surprised and asks how you know.

Apparently other people don’t really keep numbers in their heads, but it’s second nature to you by now. You don’t always have time to grab the notepad you used to track them in.

University is interesting, and you find your way to chaos theory, which is fun in so many ways. One thing you do notice is that the numbers of your professors are almost always in motion, ticking up and down by tens at a time.

It doesn’t match the attendance sheets, you checked, with some excuses from your statistics class. You’re taking a seemingly random array of math specialties, but they all help each other.

The puzzle continues, all through your degrees (two full masters, and neither of them help). You learn to think of the world, of numbers, in a different way. You leave the cafe, move on to a couple of think tank positions.

You’ve never found anyone else who can see the numbers either. That’s okay though; you don’t want to just be given the answer anymore. This is a challenge now, a test of your worth, a constant companion.

Crunching numbers, applying analytics for work is good practice and keeps you sharp, but it isn’t your passion. Your passion is the mystery, but now you have access to the kinds of computers you can start running a broader analysis on.

You have decades of data now, and you feed it all in after work. Set the machines analyzing, using as much information about each person as you have, looking for variables.

It runs for months, but you’re not exactly surprised by the results; you need more data. No correlation detected.

It’s still a disappointment, and for a few days you feel down. You stop thinking about the counters. Just focus on your work, doing your job, making a play at socializing and reminding yourself you have a life outside your quest.

Kind of.

And then one day you’re in a coffee shop, grabbing a hit on your way to morning classes, and the cashier is a real sweet looking kid with earnest brown eyes and neatly tied back cornrows.

He looks conflicted as you make your order, you’ve been coming here since he started but you’ve never really talked. He takes your order, takes your money, and you move back.

You’re expecting someone else to bring you the drink, but he switches out and leans over the counter to give you the cup and cookie you definitely didn’t order. You’re confused; you didn’t pay for it, there’s no promotion.

He gives you a small empathetic smile.

“You look like you need it. Your…. Uh…. Your colour’s washed out,” he says in a hurry, clearly expecting you to think nothing of it, but your heart stops.

He doesn’t mean your face. You know that. If anything, your natural tan has gotten darker now that you spend more time outside. Just. Sitting in the park. Pretending you’re not thinking about the numbers.

But the way he says it, the furtive glances, the way you suddenly realize he’s been looking just a little above your face almost every time you see him.

You don’t grab his hand, even though you desperately want to. He’s already turning, rushing back to work, and you need to know.

“Wait,” you call as quietly as you can, and he stops. Glances back.

There’s something in those brown eyes now, a wariness and a kind of squashed down hope you know you’re showing too.

Wetting your lips you try and work out how to ask. What to say. It isn’t numbers, clearly. But you’ve never known your own number, always desperately wondered, and if there’s even a tiny chance…

“What… what colour was I?” You ask quietly, and he takes a quick glance around.

It’s not busy. You came after the rush, not wanting to be overwhelmed by counters you just can’t figure out.

He gives you a thoughtful look, from that spot on your forehead down to your eyes, still guarded but hoping.

“Blue,” he says softly, coming back to lean on the counter, “but it was very bright. Cyan, almost glowing. You’re… more grey now. Powder blue.”

You take a moment trying to think about the difference, then pull your phone up to look. He stifles a chuckle, then pulls himself up. Looks at you cautiously, hopefully.

“You don’t see them, do you?” He asks softly, watching you examine the two colours. It snaps you back and you look up, a small smile on your face.

“Not colours. I see counters. Not like, death counters,” you add quickly when he looks suddenly alarmed, wondering how to make it seem reassuring. “They go up and down and I’ve spent my whole life trying to work out what they’re for, but it’s definitely not that.”

You pause for a moment, looking at him with a slight frown on your face. His isn’t especially high or low, and he did tell you what he saw.

“Yours is forty-six,” you tell him softly, and stifle a laugh when it promptly changes. “Fifty-two.”

It seems to settle him a little, his eyes tracking your face, noting where you’re looking. You meet his eyes again.

“Do you know what the colours mean?” You ask softly, and he gives an awkward shrug.

“Not really. Just… never seems to be a good thing when they’re fading. Most people stay in one colour but change hue and saturation.”

They’re not terms you’re super familiar with, you’re not an artist, but you know in your heart that this is it. Your big break. A second data point.

All you have to do is not scare him away.

“I finally finished running a full computer analysis on all the counters I’ve seen,” you admit softly, gaze slipping down to the free cookie. “It didn’t find anything.”

He makes a soft, sympathetic noise, and the first smile you’ve actually felt since tugs at your lips. You give him a hopeful look.

“If you wouldn’t mind… you could email me the colours you see, and I could add them to the dataset? No names or anything, just…” and suddenly you realize that this project is creepy as hell, and super invasive, and he looks surprised and you should definitely leave.

This time he calls you back, glancing around the mostly empty store. And he quietly tells you the colours he sees above each head, and you note that along with their counters.

You’re already thinking of possible connections, maybe something in the precise wavelength of light, it’s wonderful that he’s so specific and knows so many colour names.

He’s an art student. Of course he is. And he agrees to help, if you come in at the end of the day he can finish out his shift and tell you all the colours he sees of the people still there.

Finally, finally, you have some help. Someone who understands, even if they don’t see what you do. And sure, you’ve got about fifteen years of life over him, but you always wanted a little brother.

He gawks at your work laptop when you bring it in; it’s big enough that it looks a century out of date, but that’s because you built it yourself to run like a supercomputer. Its fans roar like engines when you boot it up, and you have a whole gaggle of fascinated baristas by the time closing comes.

It can’t handle the full scope of the data set, but it connects on a private VPN to the big computer at work and can handle chunks at a time.

And convert video to 3D, but that was just to see if you could.

Your friend’s name is Dillan, and you give him yours because it’s not his fault you don’t wear a name tag. He’s got a good head for data analysis, and you know if his art doesn’t pan out he’ll do well anyway.

His art is wonderful though; reminiscent of time-lapses of cityscapes lit in blurred headlights and neon, but you know each soft line of colour is a person. He does smaller spaces too, a room, a corner of the park.

Portraits sometimes, peoples faces painted in the shades of their colour as it changes. It’s almost perfectly photorealistic, and you know he’s a prodigy in the same way you are.

You hope he can make the art he loves forever, even when he’s frustrated that a piece isn’t coming out quite right.

There isn’t an easy answer, even with his help and your new data sets. It takes years, with monthly meetings first in his coffee shop, and then at the library when he moves on.

You help with any homework that involves math, and once with a sympathetic shoulder and gentle advice when a TA is trying to drive his grades down. You know first hand how unforgiving the education system is to kids of colour, but you also remember how older students protected you.

There’s channels to report, if you know for sure they won’t take the TA’s side. There’s evidence gathering, witnesses, making sure you aren’t alone with them.

His family is far away, his parents unable to stand in his corner, so you pose as a distant cousin when he decides to make the complaint. Having an adult there, especially one with your qualifications, cuts the whole process off at the knees.

Seeing the TA’s eyes widen as you walk in in your best suit sends a little thrill through the kid in you who once sat in Dillan’s seat. Their counter jumps three times during the meeting, and this time you’re certain it’s not a good sign for them.

With the evidence Dillan and his friends have collected, the TA loses their position and gets a month of mandatory bias training. It might not change them, but you don’t care.

Dillan bounces like he’s walking on the moon as you leave, his own counter ticking steadily higher in a way you’re just as sure can’t be bad. His counter ticks up and down for the next few days, seemingly at random, and while he doesn’t know his own colour any more than you can see your counter, something in your heart tells you he’s a bright sunshine yellow.

His parents are a little concerned, of course. You meet at Dillan’s graduation, especially since you’ve got him an intern position at your work to keep him on his feet while he looks for work he actually loves.

They’re grateful, a pair of large Black men whose whole stance is a challenge for you to comment. You’re half expecting a shovel talk of some kind, and ready for it, when Dillan leans in eagerly and whispers that you’re the one who sees the numbers.

His father’s eyes soften, though his dad is still wary. You tell them both their own numbers, the only way you can try and prove it.

His father’s younger sister saw the numbers, you learn, and your heart stops all over again.

Someone else. A third person.

But she died long ago, and you’re startled to learn that she saw decimals. You never thought about it, never really wondered, but your counters are always whole numbers.

Dillan’s father doesn’t know all of the details, but he seems to feel better speaking about her. She never knew what the numbers were either, and he doesn’t know if she ever recorded them, but it fills you with relief.

You’d stopped looking for anyone else.

Told yourself you didn’t want to just be given the answer.

Liked being the only one to solve the puzzle.

But now that it’s possible, that you really know there are other people, first one and now two and who knows how many more?

It settles around your shoulders like a blanket, and Dillan is grinning at you in a way that tells you something has happened to your colour. You’ll add it to the dataset later.

No one else in Dillan’s family really see anything, on either side, but that’s okay. You have a goal now, and Dillan finally convinces you to do the one thing you’ve always avoided.

His dad’s a web designer. You spend about a month together, the two of you and occasionally Dillan when he isn’t painting, working out how to pose the invitation. What to show, how to format the site, how to filter out the false replies that always kept you from trying before.

Dillan does a bunch of art for the site too, pictures of what he sees that you can hardly believe aren’t just photos of people with a small circle of colour just around the hairline.

Pictures of what you see, the plain white numbers floating just above their heads. Gifs that show the way they change, the number ticking up and down like those old fashioned flap cards they used to roll through at ballgames before LED screens replaced the analog.

It’s always been funny to you, how archaic your counters are. Outdated before you were born, and the only reason you know the flip cards existed is because your mother showed you when you tried to explain what you saw.

But the white numbers fold themselves in half to show the new number unfolding down just like that, and Dillan laughs about it with you while you make the gif.

You spend long minutes with Dillan and his dad once it’s all ready, just looking at the button that’ll send the whole thing live.

Are you ready?

There’s a new email address just for this, but you know it’ll keep all three of you busy if enough people find the site. There’ll be people making fun of you, just like when you were little, and people pretending to feel special.

But there might be someone else too, someone as lost and confused as you were. What else might others see? Shapes? Scribbly lines that get more and more jagged like your counter climbs?

You can’t even imagine it, and it steals the breath from your lungs.

Dillan steals the mouse and hits the button for you, then runs away with it so you can’t panic and undo it. His dad laughs until tears run down his cheeks as you do indeed panic, leaping up to chase your little brother.

But it’s done now, and you can breathe again.

You still don’t know the answer. You know that at the end of it all, Dillan’s colours may have nothing at all to do with your counters.

But you’re not alone.

You saw your shadow in this sweet, funny kid, reached out the way you wish someone had reached for you, and now you’ve both reached out to the whole world.

It’ll be a pain in the ass sorting it all out, but you have work friends who can make you a program to filter the openly aggressive messages.

Because somewhere in the world, there’s a five year old kid who was just told no one else sees the world the way they do, and they’ll be able to see that it’s not true. They’re not alone. Someone will help them solve the mystery.

You’re no closer to the answer than you were as a fresh graduate yourself, can’t imagine what it could be.

But it turns out you were wrong, back when you were the fresh graduate who wanted to solve the world all alone. Answers aren’t as important as not being alone.


Tags:

#storytime #embarrassment squick #death tw? #racism cw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once