risingmoonyue:

fanfic-obsessed:

mis-mcgifsten:

commanderfoxdeservesbetter:

fanfic-obsessed:

This is an odd thought that I had. Canonically the Jedi are able to tell the clones apart easily with the Force. Let’s take it a step further. Because of the extra senses given by the Force, the Clones really don’t even look the same to the Jedi. (Sort of like that online test that goes around about how many color shades you can see, where some people can see four shades easily but others see one block of color.)  They never quite forget that their troops are clones but whenever someone talks about them looking the same, or like Jango Fett, all the Jedi just laugh awkwardly or are really confused (There is some “are they talking about the helmets? I mean the men paint the helmets, but maybe the visor looks the same?”).

I just want wholesome shenanigans where various nat borns interact with the Jedi and the clones. With lots of side eye while the Jedi try fruitlessly to figure out why “they keep saying that Cody looks like Jango Fett, what?” or “How are they confusing Fives with Echo?”

Anakin goes to describe Rex in very specific detail except how he does leaves everyone (except the Jedi) confused because that’s not what Rex looks like

Obi-Wan: makes sense

Palpatine: I have no clue who you’re talking about

This reminds me of a Terry Prachet scene with a werewolf character trying to describe people in scents but human language lacks the vocabulary to translate the concepts. Anakin saying stuff like “Rex is so prilltz” , and “Echo is very schnorf when he’s just come on duty” and those are terms for how their personality feels or how their aura glistens in a jedi’s perception.

73da90828073525513bc870129cbbbefe502f982

So first, ^ this exactly. Also all of the reblogs are amazing. Consider The Jedi trying to translate what they feel in the Force into Basic, like they have words in Dai Bendu for all of it but trying to describe something in Dai Bendu to a Force null is such a headache. So they say things like “He feels like the smell of precisely 1/25th of a rotten apple mixed with the color that goes with the taste of transparasteel” and all the Force Users in the room go “Oh, that asshole” while the poor LEO is trying to figure out how to input that into his database. The Coruscant Guard finally had to redesign their database for shit like that, then have Quinlan Vos come through hand help them fill it out and each and every one of them is violently angry when their ability to catch killers shot up 200%. Incidentally, and by complete accident, they found out that if a Jedi tells them someone has “the color that goes with the taste of transparasteel” in their description, the person has probably deceived someone in the past 48 hrs and no one can tell them why.

Second this opens up some many opportunities for hilarity with Jedi that go under cover. Like there has to be extra classes and all the Jedi that go undercover has to retake like every 4 months because they start to think that all they have to do is put in colored contacts, or forget the need for disguises entirely in favor of trying to change their Force signature and maybe their voice.

Third, Think about how funny it would be even the Sith did this. Like they don’t even realize it but Palpatine, Dooku, Ventress, Maul they can all tell the clones apart and do it without trying. Without realizing they are doing it. Consider Palpatine being in a meeting with the Jedi and several members of the Senate and not paying attention and greeting each clone by their number, and this is what starts making the Senator suspicious of him.

Like he is doing everything right, fooling everyone and he is not paying attention and so asks if “CC-1010” is feeling under the weather (it was the only way he would allow himself to gloat and feel the fond memories of torturing the Clone the day before), except there were the same number of guards as always and they had been trying to pass off Thorn as Fox (they knew that the Jedi wouldn’t say anything) to give him a break. This is the point that everything unravels, because ‘how can the Force Null Chancellor tell the Clones apart, that’s a Jedi thing”

I KEEP LOSING THIS SO I’M REBLOGGING AGAIN


Tags:

#Star Wars #story ideas I will never write #this probably deserves some warning tag but I am not sure what #embarrassment squick? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

britcision:

writing-prompt-s:

Since birth you could see a counter above people’s heads. It doesn’t count down to their death. It goes up and down randomly. You’re desperate to find out what it means.

You learn that other people can’t see the counter when you’re around five, and ask your mother what it means because hers just dropped suddenly to three and you don’t know why.

She looks confused, the number slowly ticking up and down, and asks what game you’re playing. She seems distracted, and now you’re confused too, because you’ve been telling people their numbers for years.

You can’t see your own, not even in a mirror, and the fact that everyone gave you different answers wasn’t all that odd since you couldn’t see a pattern in how their numbers changed.

It does explain why you sometimes got answers in the millions though, when you never saw anyone else with a number higher than a few hundred. And here you’d thought you were special.

You’re more circumspect when asking if other people see them after that year, because while your mom was nice, the kids on the playground weren’t. You had to pretend it was a game, and they were stupid for not playing along.

You reach your teen years, get really into all those romantic ideas about a countdown to death, and it makes you scared of watching the counters drop for a few years.

But you comfort yourself that it’s clearly not a countdown, every time a friend hits one, or zero. It goes up and down, by jumps and starts, and seems so random.

Of course you become obsessed with math. You watch your one friend, a girl with yellow hair whose number jumps more and faster than anyone you’ve ever met. You track the numbers, log them for days and weeks, and try to find an equation to explain them.

There’s nothing, of course. Even when you think you see a pattern, it breaks in a matter of hours.

You look for the slowest changer instead, factor in the time between switches, and it’s still no good. You’re an irredeemable nerd now, but you need to know.

You get yourself a scholarship, pursue calculus and theoretical math, and your fellow students are almost as passionate as you. But none of them can see the numbers, none of them have the mystery you’ve never solved.

The scholarship doesn’t fully cover the cost of textbooks, so you take a job as a barista nearby. That’s interesting, because you see so many people all at once and can do more little studies of the numbers.

The answer definitely isn’t “time since last meal”, or “last cup of coffee”.

The presence of such a large and diverse sample lets you spot new things you hadn’t considered before too; you always knew most peoples’ counters changed at different speeds, but you’ve never seen anyone consistent before.

There’s a kid with green hair and piercings all up both ears and brows, and their number is never lower than twenty. They’re never rude, but they’re loud in spite of themselves, and you find yourself liking to see them.

A control for your experiments, a regular and reliable face.

There’s an old man who sits in the back whose number never changes and who never speaks. He hands you a napkin with a coffee order every time, and some of your coworkers are scared touching the napkins will make you sick.

You aren’t. The old man might be homeless or might not be; none of you actually know. He sits bundled in coats all through the summer, always has the same red scarf, always has the same seven sat above his head.

You’ve never seen him sat or napping in the street, but he’s never pulled out a key and you haven’t followed him to see if he goes to a home.

Whether he’s unhoused or not, you’re not about to treat him like a plague rat. He’s just quiet, and for all you know he’s fully mute.

You talk slowly and clearly back, making sure your mouth is easy to follow because you can’t be sure he can hear you in the first place. He watches your lips instead of your eyes, never replies, but always pays in exact change, and then puts the exact same tip in the jar.

One day, on a whim, you join a sign language club at university. It takes some practice to get the signs down, and you have to ask for some specific phrases, but a week later you try wishing him a good day in ASL.

His eyes light up, a tremulous smile half hidden in the scarf. He doesn’t sign back, but you know the secret now. He just doesn’t have much to say, but he was happy you made the effort.

His number is eight now.

You wondered if it might have been changing all along and you just didn’t notice, but it doesn’t go back down. Or up any further.

You have the strongest feeling you are that number eight, but you can’t prove it. It didn’t change while you were watching, or while he was in the store.

You take statistics class, get permission from your manager to run out a few projects at work. Things like two tip jars, each with a different sign and a note behind them explaining the project.

That gets much more results than a single tip jar, as you expected, people are firm in their opinions and pick sides quickly.

The other baristas insist on keeping the two jar method even once you’ve gotten an A on your findings. They’re for competing sports teams on game days, music genres over the summer when the concerts come through, silly things like “cake or pie” when nothing more serious is going on.

There’s no correlation between the counters and how much people donate, or which side they choose.

You don’t realize that other people don’t have your memory for numbers and faces until you comment that your dear regular always donates to the jar on the left. Your coworker looks surprised and asks how you know.

Apparently other people don’t really keep numbers in their heads, but it’s second nature to you by now. You don’t always have time to grab the notepad you used to track them in.

University is interesting, and you find your way to chaos theory, which is fun in so many ways. One thing you do notice is that the numbers of your professors are almost always in motion, ticking up and down by tens at a time.

It doesn’t match the attendance sheets, you checked, with some excuses from your statistics class. You’re taking a seemingly random array of math specialties, but they all help each other.

The puzzle continues, all through your degrees (two full masters, and neither of them help). You learn to think of the world, of numbers, in a different way. You leave the cafe, move on to a couple of think tank positions.

You’ve never found anyone else who can see the numbers either. That’s okay though; you don’t want to just be given the answer anymore. This is a challenge now, a test of your worth, a constant companion.

Crunching numbers, applying analytics for work is good practice and keeps you sharp, but it isn’t your passion. Your passion is the mystery, but now you have access to the kinds of computers you can start running a broader analysis on.

You have decades of data now, and you feed it all in after work. Set the machines analyzing, using as much information about each person as you have, looking for variables.

It runs for months, but you’re not exactly surprised by the results; you need more data. No correlation detected.

It’s still a disappointment, and for a few days you feel down. You stop thinking about the counters. Just focus on your work, doing your job, making a play at socializing and reminding yourself you have a life outside your quest.

Kind of.

And then one day you’re in a coffee shop, grabbing a hit on your way to morning classes, and the cashier is a real sweet looking kid with earnest brown eyes and neatly tied back cornrows.

He looks conflicted as you make your order, you’ve been coming here since he started but you’ve never really talked. He takes your order, takes your money, and you move back.

You’re expecting someone else to bring you the drink, but he switches out and leans over the counter to give you the cup and cookie you definitely didn’t order. You’re confused; you didn’t pay for it, there’s no promotion.

He gives you a small empathetic smile.

“You look like you need it. Your…. Uh…. Your colour’s washed out,” he says in a hurry, clearly expecting you to think nothing of it, but your heart stops.

He doesn’t mean your face. You know that. If anything, your natural tan has gotten darker now that you spend more time outside. Just. Sitting in the park. Pretending you’re not thinking about the numbers.

But the way he says it, the furtive glances, the way you suddenly realize he’s been looking just a little above your face almost every time you see him.

You don’t grab his hand, even though you desperately want to. He’s already turning, rushing back to work, and you need to know.

“Wait,” you call as quietly as you can, and he stops. Glances back.

There’s something in those brown eyes now, a wariness and a kind of squashed down hope you know you’re showing too.

Wetting your lips you try and work out how to ask. What to say. It isn’t numbers, clearly. But you’ve never known your own number, always desperately wondered, and if there’s even a tiny chance…

“What… what colour was I?” You ask quietly, and he takes a quick glance around.

It’s not busy. You came after the rush, not wanting to be overwhelmed by counters you just can’t figure out.

He gives you a thoughtful look, from that spot on your forehead down to your eyes, still guarded but hoping.

“Blue,” he says softly, coming back to lean on the counter, “but it was very bright. Cyan, almost glowing. You’re… more grey now. Powder blue.”

You take a moment trying to think about the difference, then pull your phone up to look. He stifles a chuckle, then pulls himself up. Looks at you cautiously, hopefully.

“You don’t see them, do you?” He asks softly, watching you examine the two colours. It snaps you back and you look up, a small smile on your face.

“Not colours. I see counters. Not like, death counters,” you add quickly when he looks suddenly alarmed, wondering how to make it seem reassuring. “They go up and down and I’ve spent my whole life trying to work out what they’re for, but it’s definitely not that.”

You pause for a moment, looking at him with a slight frown on your face. His isn’t especially high or low, and he did tell you what he saw.

“Yours is forty-six,” you tell him softly, and stifle a laugh when it promptly changes. “Fifty-two.”

It seems to settle him a little, his eyes tracking your face, noting where you’re looking. You meet his eyes again.

“Do you know what the colours mean?” You ask softly, and he gives an awkward shrug.

“Not really. Just… never seems to be a good thing when they’re fading. Most people stay in one colour but change hue and saturation.”

They’re not terms you’re super familiar with, you’re not an artist, but you know in your heart that this is it. Your big break. A second data point.

All you have to do is not scare him away.

“I finally finished running a full computer analysis on all the counters I’ve seen,” you admit softly, gaze slipping down to the free cookie. “It didn’t find anything.”

He makes a soft, sympathetic noise, and the first smile you’ve actually felt since tugs at your lips. You give him a hopeful look.

“If you wouldn’t mind… you could email me the colours you see, and I could add them to the dataset? No names or anything, just…” and suddenly you realize that this project is creepy as hell, and super invasive, and he looks surprised and you should definitely leave.

This time he calls you back, glancing around the mostly empty store. And he quietly tells you the colours he sees above each head, and you note that along with their counters.

You’re already thinking of possible connections, maybe something in the precise wavelength of light, it’s wonderful that he’s so specific and knows so many colour names.

He’s an art student. Of course he is. And he agrees to help, if you come in at the end of the day he can finish out his shift and tell you all the colours he sees of the people still there.

Finally, finally, you have some help. Someone who understands, even if they don’t see what you do. And sure, you’ve got about fifteen years of life over him, but you always wanted a little brother.

He gawks at your work laptop when you bring it in; it’s big enough that it looks a century out of date, but that’s because you built it yourself to run like a supercomputer. Its fans roar like engines when you boot it up, and you have a whole gaggle of fascinated baristas by the time closing comes.

It can’t handle the full scope of the data set, but it connects on a private VPN to the big computer at work and can handle chunks at a time.

And convert video to 3D, but that was just to see if you could.

Your friend’s name is Dillan, and you give him yours because it’s not his fault you don’t wear a name tag. He’s got a good head for data analysis, and you know if his art doesn’t pan out he’ll do well anyway.

His art is wonderful though; reminiscent of time-lapses of cityscapes lit in blurred headlights and neon, but you know each soft line of colour is a person. He does smaller spaces too, a room, a corner of the park.

Portraits sometimes, peoples faces painted in the shades of their colour as it changes. It’s almost perfectly photorealistic, and you know he’s a prodigy in the same way you are.

You hope he can make the art he loves forever, even when he’s frustrated that a piece isn’t coming out quite right.

There isn’t an easy answer, even with his help and your new data sets. It takes years, with monthly meetings first in his coffee shop, and then at the library when he moves on.

You help with any homework that involves math, and once with a sympathetic shoulder and gentle advice when a TA is trying to drive his grades down. You know first hand how unforgiving the education system is to kids of colour, but you also remember how older students protected you.

There’s channels to report, if you know for sure they won’t take the TA’s side. There’s evidence gathering, witnesses, making sure you aren’t alone with them.

His family is far away, his parents unable to stand in his corner, so you pose as a distant cousin when he decides to make the complaint. Having an adult there, especially one with your qualifications, cuts the whole process off at the knees.

Seeing the TA’s eyes widen as you walk in in your best suit sends a little thrill through the kid in you who once sat in Dillan’s seat. Their counter jumps three times during the meeting, and this time you’re certain it’s not a good sign for them.

With the evidence Dillan and his friends have collected, the TA loses their position and gets a month of mandatory bias training. It might not change them, but you don’t care.

Dillan bounces like he’s walking on the moon as you leave, his own counter ticking steadily higher in a way you’re just as sure can’t be bad. His counter ticks up and down for the next few days, seemingly at random, and while he doesn’t know his own colour any more than you can see your counter, something in your heart tells you he’s a bright sunshine yellow.

His parents are a little concerned, of course. You meet at Dillan’s graduation, especially since you’ve got him an intern position at your work to keep him on his feet while he looks for work he actually loves.

They’re grateful, a pair of large Black men whose whole stance is a challenge for you to comment. You’re half expecting a shovel talk of some kind, and ready for it, when Dillan leans in eagerly and whispers that you’re the one who sees the numbers.

His father’s eyes soften, though his dad is still wary. You tell them both their own numbers, the only way you can try and prove it.

His father’s younger sister saw the numbers, you learn, and your heart stops all over again.

Someone else. A third person.

But she died long ago, and you’re startled to learn that she saw decimals. You never thought about it, never really wondered, but your counters are always whole numbers.

Dillan’s father doesn’t know all of the details, but he seems to feel better speaking about her. She never knew what the numbers were either, and he doesn’t know if she ever recorded them, but it fills you with relief.

You’d stopped looking for anyone else.

Told yourself you didn’t want to just be given the answer.

Liked being the only one to solve the puzzle.

But now that it’s possible, that you really know there are other people, first one and now two and who knows how many more?

It settles around your shoulders like a blanket, and Dillan is grinning at you in a way that tells you something has happened to your colour. You’ll add it to the dataset later.

No one else in Dillan’s family really see anything, on either side, but that’s okay. You have a goal now, and Dillan finally convinces you to do the one thing you’ve always avoided.

His dad’s a web designer. You spend about a month together, the two of you and occasionally Dillan when he isn’t painting, working out how to pose the invitation. What to show, how to format the site, how to filter out the false replies that always kept you from trying before.

Dillan does a bunch of art for the site too, pictures of what he sees that you can hardly believe aren’t just photos of people with a small circle of colour just around the hairline.

Pictures of what you see, the plain white numbers floating just above their heads. Gifs that show the way they change, the number ticking up and down like those old fashioned flap cards they used to roll through at ballgames before LED screens replaced the analog.

It’s always been funny to you, how archaic your counters are. Outdated before you were born, and the only reason you know the flip cards existed is because your mother showed you when you tried to explain what you saw.

But the white numbers fold themselves in half to show the new number unfolding down just like that, and Dillan laughs about it with you while you make the gif.

You spend long minutes with Dillan and his dad once it’s all ready, just looking at the button that’ll send the whole thing live.

Are you ready?

There’s a new email address just for this, but you know it’ll keep all three of you busy if enough people find the site. There’ll be people making fun of you, just like when you were little, and people pretending to feel special.

But there might be someone else too, someone as lost and confused as you were. What else might others see? Shapes? Scribbly lines that get more and more jagged like your counter climbs?

You can’t even imagine it, and it steals the breath from your lungs.

Dillan steals the mouse and hits the button for you, then runs away with it so you can’t panic and undo it. His dad laughs until tears run down his cheeks as you do indeed panic, leaping up to chase your little brother.

But it’s done now, and you can breathe again.

You still don’t know the answer. You know that at the end of it all, Dillan’s colours may have nothing at all to do with your counters.

But you’re not alone.

You saw your shadow in this sweet, funny kid, reached out the way you wish someone had reached for you, and now you’ve both reached out to the whole world.

It’ll be a pain in the ass sorting it all out, but you have work friends who can make you a program to filter the openly aggressive messages.

Because somewhere in the world, there’s a five year old kid who was just told no one else sees the world the way they do, and they’ll be able to see that it’s not true. They’re not alone. Someone will help them solve the mystery.

You’re no closer to the answer than you were as a fresh graduate yourself, can’t imagine what it could be.

But it turns out you were wrong, back when you were the fresh graduate who wanted to solve the world all alone. Answers aren’t as important as not being alone.


Tags:

#storytime #embarrassment squick #death tw? #racism cw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

max1461:

clusterduck28:

hanavesinauttija:

7a9f2afa9ae3193e528122d051e185babd962c83

So how is one supposed to say this expression out loud? Like not just going EeEEeeEEEeee but in proper mathematical terms? Say if a mathematician was tasked with communicating this whole thing to another mathematician verbally (over a phone line for example) how would they do it?

“The integral from minus e to the e to e to the e of the integral from minus e to the e to e to the e of e to the e sub e times e sub e to the e minus e times e to the minus e sub e e to the e plus e over e minus e sub e times e to the e minus e times e sub e all times e to the minus e sub e, d e sub e e d e sub e” is how I would say it, with intonation clarifying most of the bracketing.


Tags:

#reading that meme feels like riding a rollercoaster #math #fun with loopholes #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

togglesbloggle:

Still riding high from watching Royal Space Force, which is an extraordinary film in ways that films are rarely extraordinary.

There’s a line in that Wikipedia article I linked that’s quoting Ted Chiang- he says that it’s “the single most impressive example of worldbuilding in books or film.” That’s high praise for sure, and I’m not at all sure how much I can argue with it. Every inch and instant of this thing is a gradual unfolding of an internally consistent and fully realized alternate technological civilization, with lavish animation and deep reflection on its machines, architecture, industrial processes, and infrastructure, as the narrative follows a sort of Yuri Gagarin analogue as they advance towards their first manned spaceflight. Their devices are often whimsical, but mechanically grounded, and throughout the film you’re constantly seeing shades of early- and mid-century technologies in jumbled and decontextualized ways that just sing with love for engineering as a human art.

It’s fun, in particular, to watch advances in propulsion technology as they’re reflected in such a complexly realized might-have-been. As with them, so with us- the early 20th century was a time of rapid technological change on any number of axes, but our sudden exhilarating speed was at the center of it all. A single generation saw both the advent of flying machines and the first human in space; they saw wars become world wars, they saw rockets become intercontinental ballistic nuclear warheads. That’s what this movie is about, really; changing the ground truth just enough to let you feel that exhilarating speed again for the first time.

It’s a particularly good movie to watch this week, if you’re the sort of person who’s been avidly following the news on room temperature superconductors. Because we aren’t, quite, the target audience for this movie. It came out in 1987, late enough to be nostalgic for that revolution, late enough to have seen the explosive growth of our capacity for motion become one more S-curve, crushed back down to the horizontal under the weight of the rocketry equations, but still as a thing remembered and experienced firsthand. Like the first Star Wars movie, it’s not just a celebration of rocketry, but also trades in the visual language of urbanization, factionalism, and aerial warfare that erupted across the world as it abruptly shrank. It can be helpful to think very deeply about that moment.

You and I have never seen something like that happen before. We’ve had our technological revolutions, sure. For us, computers have been the axis around which it all turned. And for good reason! The universal machine, the tool that can do anything, as long as that ‘anything’ is made of light. We also shrank the world, in a way. But the information revolution is a subtle thing, dreamlike and insubstantial and interpersonal. The propulsion revolution was a revolution in power, direct and loud and furious. A room temperature superconductor, also, would be a revolution in power. I don’t think you and I are quite ready for what that might mean.

(Particularly with fusion winking at us from just the other side of this thing.)

We can list out some of the first-order consequences of a room temperature superconductor, if it turns out to be real. There’s the incredibly cool levitating rail systems that everybody likes to talk about; the sudden dominance of renewable energy and zero-emission power sources; there’s quantum computers, terahertz antennae, lossless power transmission, a near-apotheosis of battery technology. But that’s nothing, not really. As the old phrase goes, anyone could have predicted the car, it’s predicting the traffic jam that takes a genius.

I know (I think) that power is what states are made of; the revolution in speed saw the end of feudalism, itself already teetering from blows it took from other revolutions in industrialization, and the rise of modern democratic governments- and also the rise of fascist and communist autocracies, the titanic conflicts between them, the industrialization of murder. At the upper end of possibility, that’s what these last couple weeks might mean too. To move an electron through a wire, without any loss of energy to heat, is to create new ideologies we can’t anticipate, new theaters of war, new kinds of government, new global superpowers, new things for the word ‘progress’ to mean. An information revolution can help show you who you are; a revolution in power can give that image the force to change the world from the ground up.

Here’s hoping we’re ready for it.


Tags:

#me‚ gritting my teeth‚ reciting to myself: #”the single best argument in favour of technological progress is that if we do not‚ we will die in mere decades” #”danger lies also in the *absence* of action‚ not only in the presence” #war cw #apocalypse cw #death tw #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

jeanne-with-n-e:

pomrania:

homunculus-argument:

A fantasy book where many characters have dramatic High Fantasy epithets, but for incredibly non-dramatic reasons.

An adventurer known as The Herald of Dawn, but it’s because she tends to wake up naturally at 4 or 5 am and every single fucking time wakes up the whole damn camp before sunrise by banging pots and pans together while making herself breakfast.

A nobleman known as The Lord of Shadows, but it’s because his land is shaded from all sides by cliffs and mountains and all the other nobility are roasting this guy for not being able to grow or farm anything on his shitty, shady, no-sunshine-having estates.

A courtesan known as The Emerald of [location], but it’s because the county she was born in is known for manufacturing forged jewels and gemstones, and so far she is the fakest pretty thing to ever come from there.

An assassin known as The Kiss of Death, but it’s because he has somehow acquired every single known and documented STD in his mouth.

The Dark Huntress, named so to distinguish her from The Blonde Huntress.

A prince known as The Raven Prince, but it’s because he’s autistic and can and WILL tell you everything that is known about ravens, for five hours straight.

The Fallen King, named for falling off his horse, and deciding to build his kingdom there (because his horse ran off).

The Chosen One, ruler of a democratic state


Tags:

#overly literal interpretations #I didn’t actually laugh aloud but it still amused me enough to reblog #illness tw? #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

shattered-earth:

So IDK if people will understand this concept but I made “corner pins”

ac9ce8c46bdcd2a84041ebc4671ae32a35e50718
202ea8a700d8af551f879d8158839b381f8ed9c2

Basically they are tiny pins with TWO posts on them, and you use them to hold up mementos like instax/photos/tickets etc without having to puncture them, and without having to pinch them with the metal or the push pin edge etc. You can simply rest the corner of the item between the posts gently!

9c6d7504a8998b025171752115a930a96743f591
eb12a5b9fb87021decb97f9ca50660578b8e4735

These are the cute ribbon/bow ones, I also made some others that i think would be really cool on your mementos ToT

90272172739c9f1ea567507cbae7592c80140798
e987c360618cc9c8282c59bc95d20f096ddfe397
5472e9a5cf6be19bf0cceecc1e63059d9925b4c9
bf17579b9e35eed4df561c803ebb576209ee3631
57840246881116cfc1a117037e80fe28ff74caaf
b690d4655e851723a594760c81d310614840d8ca

Let me know what you think about this concept?? I don’t know how to market it but i really thought it was a nice idea T_T. You can find them in my store here


Tags:

#interesting ideas #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

poipoipoi-2016:

a78f99757c81d8fdc15ec9e348a0c59059624a9f

Tags:

#Twitter #anything that makes me laugh this much deserves a reblog #juxtaposition #(for the record it’s the fourth one) #(with the red notification dot on it) #this probably deserves some warning tag but I am not sure what #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once

nostalgebraist:

Pretty regularly, at work, I ask ChatGPT hundreds of slightly different questions over the course of a minute or two.

I don’t type out these individual questions, of course. They’re constructed mechanically, by taking documents one by one from a list, and slotting each one inside a sandwich of fixed text. Like this (not verbatim):

Here’s a thing for you to read:
//document goes here//
Now answer question XYZ about it.

I never read through all of the responses, either. Maybe I’ll read a few of them, later on, after doing some kind of statistics to the whole aggregate. But ChatGPT isn’t really writing for human consumption, here. It’s an industrial machine. It’s generating “data,” on the basis of other “data.”

Often, I ask it to write out a step-by-step reasoning process before answering each question, because this has been shown to improve the quality of ChatGPT’s answers. It writes me all this stuff, and I ignore all of it. It’s a waste product. I only ask for it because it makes the answer after it better, on average; I have no other use for it.

The funny thing is – despite being used in a very different, more impersonal manner – it’s still ChatGPT! It’s still the same sanctimonious, eager-to-please little guy, answering all those questions.

Fifty questions at once, hundreds in a few minutes, all of it in that same, identical, somewhat annoying brand voice. Always itself, incapable of tiring.

This is all billed to my employer at a rate of roughly $0.01 per 5,000 words I send to ChatGPT, plus roughly $0.01 per 3,750 words that ChatGPT writes in response.

In other words, ChatGPT writing is so cheap, you can get 375,000 words of it for $1.

—-

OpenAI decided to make this particular “little guy” very cheap and very fast, maybe in recognition of its popularity.

So now, if you want to use a language model like an industrial machine, it’s the one you’re most likely to use.

—-

Why am I making this post?

Sometimes I read online discourse about ChatGPT, and it seems like people are overly focused on the experience of a single human talking to ChatGPT in the app.

Or, at most, the possibility of generating lots of “content” aimed at humans (SEO spam, generic emails) at the press of a button.

Many of the most promising applications of ChatGPT involve generating text that is not meant for human consumption.

They go in the other direction: they take things from the messy, human, textual world, and translate them into the simpler terms of ordinary computer programs.

Imagine you’re interacting with a system – a company, a website, a phone tree, whatever.

You say or type something.

Behind the scenes, unbeknownst to you, the system asks ChatGPT 13 different questions about the thing you just said/typed. This happens almost instantaneously and costs almost nothing.

No human being will ever see any of the words that ChatGPT wrote in response to this question. They get parsed by simple, old-fashioned computer code, and then they get discarded.

Each of ChatGPT’s answers ends in a simple “yes” or “no,” or a selection from a similar set of discrete options. The system uses all of this structured, “machine-readable” (in the old-fashioned sense) information to decide what to do next, in its interaction with you.

This is the kind of thing that will happen, more and more.


Tags:

#I have absolutely no idea whether this is a proud-citizen post or a disappointed-permanent-resident post #but it sure is a The-Future post #the more you know #this post was queued because my to-reblog list is too long and I didn’t want to dump it on you all at once